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Vera Jocić's short documentary films from 1963 and 1968 serve as significant subjects for analyzing Yugoslav transnational memory on rural spaces.

CultureHistoryScienceEducationSep 5, 2026score 0.172 posts · 0 replies across 1 instances
The thread announces the publication of a scholarly article by Vesi Vuković in the journal 'Iluminace'. The article examines Yugoslav transnational memory in rural spaces through the lens of short documentary films by filmmaker Vera Jocić.

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Vera Jocić's short documentary films from 1963 and 1968 serve as significant subjects for analyzing Yugoslav transnational memory on rural spaces.
Parent: Film TheoryEntity: Vera JocićSub-entity: documentary filmsImpact: neutralDate: Sep 5, 2026Target: Vera Jocić's documentary films

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ZeMKI member Vesi Vuković recently published an article in “Iluminace – The Journal of Film Theory, History, and Aesthetics” titled „Yugoslav (Trans)national Memory on Rural Spaces: Short Documentary Films Girls Without Boy(friend)s Girls Without Boy(friend)s (1963) and The Best Husband The Best Husband (1968) by Woman Filmmaker Vera Jocić“. https://zemki.uni-bremen.de/en/new-publication-by-vesi-vukovic-yugoslav-transnational-memory-on-rural-spaces/
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ZeMKI-Mitglied Vesi Vuković publizierte kürzlich einen Artikel in "Iluminace - The Journal of Film Theory, History, and Aesthetics" mit dem Titel "Yugoslav (Trans)national Memory on Rural Spaces: Short Documentary Films Girls Without Boy(friend)s Girls Without Boy(friend)s (1963) and The Best Husband The Best Husband (1968) by Woman Filmmaker Vera Jocić". https://zemki.uni-bremen.de/neue-publikation-von-vesi-vukovic-yugoslav-transnational-memory-on-rural-spaces/
0 boosts · 0 favs · 0 replies · Sep 5, 2026